Black Fire (1968 William Morrow edition) (Q9733)
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1968 edition published by William Morrow & Company, New York
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Black Fire (1968 William Morrow edition) |
1968 edition published by William Morrow & Company, New York |
Statements
BLACK | FIRE [ornaments] | [ornaments] An Anthology | of Afro-American Writing | [rule] | EDITED BY | LEROI JONES AND LARRY NEAL | William Morrow & Company, Inc. | NEW YORK | [publisher's device]
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[1 of 2] Copyright © 1968 by LeRoi Jones and Larry Neal | All rights reserved. No part of this book may be reproduced or utilized in any | form or by any means, electronic or mechanical, including photocopying, re- | cording or by any information storage and retrieval system, without permission |
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[2 of 2] in writing from the Publisher. Inquiries should be addressed to William Mor- | row and Company, Inc., 105 Madison Avenue, New York, N.Y. 10016.
title page verso
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[1 of 11] Grateful acknowledgement is made to: Negro Digest for permission to reprint "Life With Red Top" by Ronald L. Fair, copyright © 1965 by Negro Digest; "The Fellah, The Chosen Ones, The Guardian" by David Llorens, copyright © 1966 by Negro Digest; "The Baroness and the Black Musician" by Larry Neal, copyright © 1966 by Negro Digest;
page [v]
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[2 of 11] "Not Your Singing, Dancing Spade" by Julia Fields, copyright © 1967 by Negro Digest; "That She Would Dance No More" by Jean Wheeler Smith, copyright © 1967 by Negro Digest. Boss for permission to reprint "A Black Stick with a Ball of Cotton for a Head and a Running Machine for a Mouth" by Calvin C. Hernton, copyright © 1967 by Reginald Gay.
page [v]
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[3 of 11] Transatlantic Review for permission to reprint "Summary" by Sonia Sanchez, copyright 1966 by Joseph McCrindle. Kulchur Press, Inc. for permission to reprint "tomorrow the heroes" by A. B. Spellman, copyright 1966 by Kulchur Press, Inc. Dasein-Jupiter Hammon, Publishers, for permission to reprint "To the 'JFK' Quintet" by Al Fraser, which appeared originally in Dasein,
page [v]
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[4 of 11] copyright 1963 by Dasein Literary Society; "Man With a Furnace in His Hand" by Lance Jeffers, which appeared originally in Burning Spear, copyright 1963 by Dasein Literary Society; "Elegy for a Lady" by Walt Delegall, which appeared originally in Dasein, copyright 1962 by Dasein Literary Society. Burning Spear for permission to reprint "Psalm for Sonny Rollins" by Walt Delegall.
page [v]
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[5 of 11] American Society of African Culture for permission to reprint "Reclaiming the Lost African Heritage" by John Henrik Clarke, which appeared originally in The American Negro Writer and his Roots, copyright by the American Society of African Culture. Student Nonviolent Coordinating Committee for permission to reprint "Toward Black Liberation" by Stokely Carmichael,
page [v]
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[6 of 11] reprinted from The Massachusetts Review, Autumn, 1966, and "Ain't That a Groove" by Charlie Cobb, which first appeared in Student Voice.
page [v]
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[7 of 11] Journal of Black Poetry for permission to reprint "Sister Brother" and "The Way It Is" by Joe Goncalves; "That Old Time Religion" by Marvin Jackman; "The Singer" and "My Brother" by James Danner. Studies on the Left for permission to reprint "Revolutionary Nationalism and the Afro-American" by Harold W. Cruse, which appeared in Studies on the Left, vol. 2, no. 3 (1962).
page [vi]
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[8 of 11] The Village Voice for permission to reprint "Travels in the South: A Cold Night in Alabama" by William Mahoney, which appeared originally in the March 10, 1966 issue of the Village Voice. The State of Black Desire for permission to reprint "The Tide Inside, It Rages!" by Lindsay Barrett. Black Dialogue for permission to reprint "Burn, Baby, Burn" and "Flowers for the Trashman"
page [vi]
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[9 of 11] by Marvin Jackman; "malcolm" by Welton Smith; and "How Do You Do" by Ed Bullins. Black Art for permission to reprint "The World Is Full of Remarkable Things" by LeRoi Jones. Black Angel for permission to reprint "Malcolm X—An Autobiography" by Larry Neal. Soulbook for permission to reprint "when my uncle willie saw" and "The Suicide" by Carol Freeman.
page [vi]
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[10 of 11] Liberator for permission to reprint "Black Power—A Scientific Concept Whose Time Has Come" by James Boggs, copyright 1967 by Afro-American Research Institute; "Brainwashing of Black Men's Minds" by Nathan Hare, copyright 1966 by Afro-American Research Institute; "Black Art" by LeRoi Jones, copyright 1966 by Afro-American Research Institute; "For Our Women" by Larry Neal,
page [vi]
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[11 of 11] copyright 1967 by Afro-American Research Institute; "Poem at Thirty" by Sonia Sanchez, copyright 1966 by Afro-American Research Institute; "Eclipse" by Albert E. Haynes, Jr., copyright 1965 by Afro-American Research Institute; "Love Song for Seven Little Boys Called Sam" by C. H. Fuller, Jr., copyright 1966 by Afro-American Research Institute.
page [vi]
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