Iola Leroy; or, Shadows Uplifted (2018 broadview edition) (Q1713): Difference between revisions
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(Created claim: dedication statement transcription (P21): [1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. |) |
(Created claim: dedication statement transcription (P21): [2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions.) |
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| Property / dedication statement transcription | |||
[2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions. | |||
| Property / dedication statement transcription: [2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions. / rank | |||
Normal rank | |||
Revision as of 14:36, 12 July 2023
2018 broadview edition
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Iola Leroy; or, Shadows Uplifted (2018 broadview edition) |
2018 broadview edition |
Statements
IOLA LEROY; | OR, SHADOWS UPLIFTED | Frances E.W. Harper | edited by Koritha Mitchell | [publisher's device] | broadview editions
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9781554813858
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© 2018 Koritha Mitchell
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Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work.
title page verso
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A: Slavery, Civil War and Emancipation
pages 253-266
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C: Black Families in Slavery and Freedom
pages 277-290
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E: Preventing Freedom Even after Emancipation
pages 299-310
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G: Being Black and a Woman: Aesthetics and Reception
pages 327-340
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footnotes throughout; works cited and selected bibliography , pages 341-346
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[1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. |
page [5]
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[2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions.
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