Iola Leroy; or, Shadows Uplifted (2018 broadview edition) (Q1713): Difference between revisions
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(Created claim: copyright statement transcription (P19): © 2018 Koritha Mitchell) |
(Changed claim: content (P95): creator bio (Q317)) |
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| Property / title page transcription: IOLA LEROY; | OR, SHADOWS UPLIFTED | Frances E.W. Harper | edited by Koritha Mitchell | [publisher's device] | broadview editions / qualifier | |||||||
location on resource: page [3] | |||||||
| Property / editor | |||||||
| Property / editor: Juliet Sutcliffe / rank | |||||||
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note: "Advisory editor for this volume" | |||||||
| Property / title page transcription | |||||||
IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington. | |||||||
| Property / title page transcription: IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington. / rank | |||||||
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| Property / title page transcription: IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington. / qualifier | |||||||
location on resource: page [57] | |||||||
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346, [6] pages | |||||||
| Property / extent statement: 346, [6] pages / rank | |||||||
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| Property / extent statement: 346, [6] pages / qualifier | |||||||
total number of pages: 352
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location on resource: frontispiece | |||||||
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note: caption: Frances Ellen Watkins Harper in her later years. Photograph was published in 1902. Courtesy of the Library Company of Philadelphia. | |||||||
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| Property / published by: Broadview Press / rank | |||||||
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broadview editions | series editor: Martin R. Boyne | |||||||
| Property / series statement transcription: broadview editions | series editor: Martin R. Boyne / rank | |||||||
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| Property / series statement transcription: broadview editions | series editor: Martin R. Boyne / qualifier | |||||||
location on resource: half title | |||||||
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Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work. | |||||||
| Property / series statement transcription: Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work. / rank | |||||||
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| Property / series statement transcription: Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work. / qualifier | |||||||
location on resource: title page verso | |||||||
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location on resource: page [5] | |||||||
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location on resource: page 11 | |||||||
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location on resource: pages 13-50 | |||||||
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location on resource: pages 61-63 | |||||||
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location on resource: page [59] | |||||||
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note: A: Slavery, Civil War and Emancipation | |||||||
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location on resource: pages 253-266 | |||||||
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note: B: Not White? Then You Can't Be Equal | |||||||
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location on resource: pages 267-276 | |||||||
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note: C: Black Families in Slavery and Freedom | |||||||
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location on resource: pages 277-290 | |||||||
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note: D: Education in Slavery and Freedom | |||||||
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location on resource: pages 291-298 | |||||||
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note: E: Preventing Freedom Even after Emancipation | |||||||
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location on resource: pages 299-310 | |||||||
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note: F: Black Women's Activism | |||||||
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location on resource: pages 311-326 | |||||||
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note: G: Being Black and a Woman: Aesthetics and Reception | |||||||
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location on resource: pages 327-340 | |||||||
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note: footnotes throughout; works cited and selected bibliography , pages 341-346 | |||||||
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location on resource: pages 51-54 | |||||||
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ROADVIEW PRESS - www.broadviewpress.com | Peterborough, Ontario, Canada | |||||||
| Property / publication statement transcription: ROADVIEW PRESS - www.broadviewpress.com | Peterborough, Ontario, Canada / rank | |||||||
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| Property / publication statement transcription: ROADVIEW PRESS - www.broadviewpress.com | Peterborough, Ontario, Canada / qualifier | |||||||
note: [sic] | |||||||
| Property / dedication statement transcription | |||||||
[1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. | | |||||||
| Property / dedication statement transcription: [1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. | / rank | |||||||
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| Property / dedication statement transcription: [1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. | / qualifier | |||||||
| Property / dedication statement transcription: [1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. | / qualifier | |||||||
location on resource: page [5] | |||||||
| Property / dedication statement transcription | |||||||
[2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions. | |||||||
| Property / dedication statement transcription: [2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions. / rank | |||||||
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TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED | |||||||
| Property / dedication statement transcription: TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED / rank | |||||||
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| Property / dedication statement transcription: TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED / qualifier | |||||||
| Property / dedication statement transcription: TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED / qualifier | |||||||
location on resource: page [59] | |||||||
| Property / edition statement transcription | |||||||
A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected. | |||||||
| Property / edition statement transcription: A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected. / rank | |||||||
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| Property / edition statement transcription: A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected. / qualifier | |||||||
location on resource: page 55 | |||||||
| Property / included work | |||||||
| Property / included work: Narrative of the Life of Frederick Douglass, an American Slave (work) / rank | |||||||
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| Property / included work: Narrative of the Life of Frederick Douglass, an American Slave (work) / qualifier | |||||||
note: excerpt | |||||||
| Property / included work: Narrative of the Life of Frederick Douglass, an American Slave (work) / qualifier | |||||||
location on resource: pages 277-278 | |||||||
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| Property / associated edition: Iola Leroy, or Shadows Uplifted (1893 Garrigues Brothers edition) / rank | |||||||
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Latest revision as of 17:11, 5 June 2025
2018 broadview edition
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Iola Leroy; or, Shadows Uplifted (2018 broadview edition) |
2018 broadview edition |
Statements
IOLA LEROY; | OR, SHADOWS UPLIFTED | Frances E.W. Harper | edited by Koritha Mitchell | [publisher's device] | broadview editions
page [3]
0 references
IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington.
page [57]
0 references
9781554813858
0 references
© 2018 Koritha Mitchell
0 references
frontispiece
caption: Frances Ellen Watkins Harper in her later years. Photograph was published in 1902. Courtesy of the Library Company of Philadelphia.
0 references
Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work.
title page verso
0 references
A: Slavery, Civil War and Emancipation
pages 253-266
0 references
C: Black Families in Slavery and Freedom
pages 277-290
0 references
E: Preventing Freedom Even after Emancipation
pages 299-310
0 references
G: Being Black and a Woman: Aesthetics and Reception
pages 327-340
0 references
footnotes throughout; works cited and selected bibliography , pages 341-346
0 references
[1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. |
page [5]
0 references
[2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions.
0 references
TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED
page [59]
0 references
A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected.
page 55
0 references
excerpt
pages 277-278
0 references