Iola Leroy; or, Shadows Uplifted (2018 broadview edition) (Q1713): Difference between revisions
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(Changed claim: content (P95): creator bio (Q317)) |
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| Property / edition of: Iola Leroy, or Shadows Uplifted (work) / rank | |||||||||||||||
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| Property / editor: Koritha Mitchell / rank | |||||||||||||||
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| Property / editor: Juliet Sutcliffe / rank | |||||||||||||||
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note: "Advisory editor for this volume" | |||||||||||||||
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IOLA LEROY; | OR, SHADOWS UPLIFTED | Frances E.W. Harper | edited by Koritha Mitchell | [publisher's device] | broadview editions | |||||||||||||||
| Property / title page transcription: IOLA LEROY; | OR, SHADOWS UPLIFTED | Frances E.W. Harper | edited by Koritha Mitchell | [publisher's device] | broadview editions / rank | |||||||||||||||
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| Property / title page transcription: IOLA LEROY; | OR, SHADOWS UPLIFTED | Frances E.W. Harper | edited by Koritha Mitchell | [publisher's device] | broadview editions / qualifier | |||||||||||||||
location on resource: page [3] | |||||||||||||||
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IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington. | |||||||||||||||
| Property / title page transcription: IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington. / rank | |||||||||||||||
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| Property / title page transcription: IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington. / qualifier | |||||||||||||||
location on resource: page [57] | |||||||||||||||
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9781554813858 | |||||||||||||||
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Iola Leroy | |||||||||||||||
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location on resource: half title | |||||||||||||||
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© 2018 Koritha Mitchell | |||||||||||||||
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date: 2018
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| Property / copyright statement transcription: © 2018 Koritha Mitchell / qualifier | |||||||||||||||
| Property / copyright statement transcription: © 2018 Koritha Mitchell / qualifier | |||||||||||||||
location on resource: title page verso | |||||||||||||||
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346, [6] pages | |||||||||||||||
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total number of pages: 352
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note: caption: Frances Ellen Watkins Harper in her later years. Photograph was published in 1902. Courtesy of the Library Company of Philadelphia. | |||||||||||||||
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| Property / published by: Broadview Press / rank | |||||||||||||||
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broadview editions | series editor: Martin R. Boyne | |||||||||||||||
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location on resource: half title | |||||||||||||||
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Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work. | |||||||||||||||
| Property / series statement transcription: Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work. / rank | |||||||||||||||
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| Property / series statement transcription: Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work. / qualifier | |||||||||||||||
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location on resource: pages 61-63 | |||||||||||||||
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location on resource: page [59] | |||||||||||||||
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note: A: Slavery, Civil War and Emancipation | |||||||||||||||
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location on resource: pages 253-266 | |||||||||||||||
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note: B: Not White? Then You Can't Be Equal | |||||||||||||||
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location on resource: pages 267-276 | |||||||||||||||
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note: C: Black Families in Slavery and Freedom | |||||||||||||||
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location on resource: pages 277-290 | |||||||||||||||
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note: D: Education in Slavery and Freedom | |||||||||||||||
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location on resource: pages 291-298 | |||||||||||||||
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note: E: Preventing Freedom Even after Emancipation | |||||||||||||||
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note: F: Black Women's Activism | |||||||||||||||
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location on resource: pages 311-326 | |||||||||||||||
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note: G: Being Black and a Woman: Aesthetics and Reception | |||||||||||||||
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location on resource: pages 327-340 | |||||||||||||||
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note: footnotes throughout; works cited and selected bibliography , pages 341-346 | |||||||||||||||
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location on resource: pages 51-54 | |||||||||||||||
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ROADVIEW PRESS - www.broadviewpress.com | Peterborough, Ontario, Canada | |||||||||||||||
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| Property / publication statement transcription: ROADVIEW PRESS - www.broadviewpress.com | Peterborough, Ontario, Canada / qualifier | |||||||||||||||
note: [sic] | |||||||||||||||
| Property / dedication statement transcription | |||||||||||||||
[1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. | | |||||||||||||||
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| Property / dedication statement transcription: [1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. | / qualifier | |||||||||||||||
location on resource: page [5] | |||||||||||||||
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[2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions. | |||||||||||||||
| Property / dedication statement transcription: [2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions. / rank | |||||||||||||||
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TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED | |||||||||||||||
| Property / dedication statement transcription: TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED / rank | |||||||||||||||
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| Property / dedication statement transcription: TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED / qualifier | |||||||||||||||
| Property / dedication statement transcription: TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED / qualifier | |||||||||||||||
location on resource: page [59] | |||||||||||||||
| Property / edition statement transcription | |||||||||||||||
A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected. | |||||||||||||||
| Property / edition statement transcription: A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected. / rank | |||||||||||||||
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| Property / edition statement transcription: A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected. / qualifier | |||||||||||||||
location on resource: page 55 | |||||||||||||||
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| Property / included work: Narrative of the Life of Frederick Douglass, an American Slave (work) / rank | |||||||||||||||
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| Property / included work: Narrative of the Life of Frederick Douglass, an American Slave (work) / qualifier | |||||||||||||||
note: excerpt | |||||||||||||||
| Property / included work: Narrative of the Life of Frederick Douglass, an American Slave (work) / qualifier | |||||||||||||||
location on resource: pages 277-278 | |||||||||||||||
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| Property / associated edition: Iola Leroy, or Shadows Uplifted (1893 Garrigues Brothers edition) / rank | |||||||||||||||
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Latest revision as of 17:11, 5 June 2025
2018 broadview edition
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Iola Leroy; or, Shadows Uplifted (2018 broadview edition) |
2018 broadview edition |
Statements
IOLA LEROY; | OR, SHADOWS UPLIFTED | Frances E.W. Harper | edited by Koritha Mitchell | [publisher's device] | broadview editions
page [3]
0 references
IOLA LEROY; OR, SHADOWS UPLIFTED | Iola Leroy originally entered, according to Act of Congress, in | the year 1892, | By FRANCES E. W. HARPER, | In the office of the Librarian of Congress, at Washington.
page [57]
0 references
9781554813858
0 references
© 2018 Koritha Mitchell
0 references
frontispiece
caption: Frances Ellen Watkins Harper in her later years. Photograph was published in 1902. Courtesy of the Library Company of Philadelphia.
0 references
Broadview Editions | The Broadview Editions series is an effort to represent the ever-evolving canon of texts in the discipline | of literary studies, history, philosophy, and political theory. A distinguishing feature of the series is the | inclusion of primary source documents contemporaneous with the work.
title page verso
0 references
A: Slavery, Civil War and Emancipation
pages 253-266
0 references
C: Black Families in Slavery and Freedom
pages 277-290
0 references
E: Preventing Freedom Even after Emancipation
pages 299-310
0 references
G: Being Black and a Woman: Aesthetics and Reception
pages 327-340
0 references
footnotes throughout; works cited and selected bibliography , pages 341-346
0 references
[1] This book is dedicated to Dr. Anu Aneja, | the first woman of color professor I ever had. |
page [5]
0 references
[2] Thank you for showing me that we don't study | women like Frances Harper, Sara Suleri, | Laura Esquivel, Maryse Conde, and Enchi Fumiko | because acknowledging a diversity of experience | is the "right" thing to do but because they are | producers of knowledge whose work constitutes | a rich legacy and contributes to vibrant traditions.
0 references
TO MY DAUGHTER | MARY E. HARPER, | THIS BOOK IS LOVINGLY DEDICATED
page [59]
0 references
A Note on the Text | This edition is based on the second edition of Iola Leroy, released | in 1893 by Garrigues Brothers, Publishers and Booksellers, 608 | Arch Street, Philadelphia, Pennsylvania. Obvious errors of | spelling or punctuation, of which there were very few, have been | silently corrected.
page 55
0 references
excerpt
pages 277-278
0 references