Black Fire (1968 William Morrow edition) (Q9733): Difference between revisions

@@ Property / acknowledgment statement transcription / Property / acknowledgment statement transcription @@
-[1 of ] Grateful acknowledgement is made to: Negro Digest for permission to reprint "Life With Red Top" by Ronald L. Fair, copyright © 1965 by Negro Digest; "The Fellah, The Chosen Ones, The Guardian" by David Llorens, copyright © 1966 by Negro Digest; "The Baroness and the Black Musician" by Larry Neal, copyright © 1966 by Negro Digest;
+[1 of 11] Grateful acknowledgement is made to: Negro Digest for permission to reprint "Life With Red Top" by Ronald L. Fair, copyright © 1965 by Negro Digest; "The Fellah, The Chosen Ones, The Guardian" by David Llorens, copyright © 1966 by Negro Digest; "The Baroness and the Black Musician" by Larry Neal, copyright © 1966 by Negro Digest;
+location on resource: page [v]
@@ Property / acknowledgment statement transcription / Property / acknowledgment statement transcription @@
-[2 of ] "Not Your Singing, Dancing Spade" by Julia Fields, copyright © 1967 by Negro Digest; "That She Would Dance No More" by Jean Wheeler Smith, copyright © 1967 by Negro Digest. Boss for permission to reprint "A Black Stick with a Ball of Cotton for a Head and a Running Machine for a Mouth" by Calvin C. Hernton, copyright © 1967 by Reginald Gay.
+[2 of 11] "Not Your Singing, Dancing Spade" by Julia Fields, copyright © 1967 by Negro Digest; "That She Would Dance No More" by Jean Wheeler Smith, copyright © 1967 by Negro Digest. Boss for permission to reprint "A Black Stick with a Ball of Cotton for a Head and a Running Machine for a Mouth" by Calvin C. Hernton, copyright © 1967 by Reginald Gay.
+location on resource: page [v]
@@ Property / acknowledgment statement transcription / Property / acknowledgment statement transcription @@
-[3 of ] Transatlantic Review for permission to reprint "Summary" by Sonia Sanchez, copyright 1966 by Joseph McCrindle. Kulchur Press, Inc. for permission to reprint "tomorrow the heroes" by A. B. Spellman, copyright 1966 by Kulchur Press, Inc. Dasein-Jupiter Hammon, Publishers, for permission to reprint "To the 'JFK' Quintet" by Al Fraser, which appeared originally in Dasein,
+[3 of 11] Transatlantic Review for permission to reprint "Summary" by Sonia Sanchez, copyright 1966 by Joseph McCrindle. Kulchur Press, Inc. for permission to reprint "tomorrow the heroes" by A. B. Spellman, copyright 1966 by Kulchur Press, Inc. Dasein-Jupiter Hammon, Publishers, for permission to reprint "To the 'JFK' Quintet" by Al Fraser, which appeared originally in Dasein,
+location on resource: page [v]
@@ Property / acknowledgment statement transcription / Property / acknowledgment statement transcription @@
-[4 of ] copyright 1963 by Dasein Literary Society; "Man With a Furnace in His Hand" by Lance Jeffers, which appeared originally in Burning Spear, copyright 1963 by Dasein Literary Society; "Elegy for a Lady" by Walt Delegall, which appeared originally in Dasein, copyright 1962 by Dasein Literary Society. Burning Spear for permission to reprint "Psalm for Sonny Rollins" by Walt Delegall.
+[4 of 11] copyright 1963 by Dasein Literary Society; "Man With a Furnace in His Hand" by Lance Jeffers, which appeared originally in Burning Spear, copyright 1963 by Dasein Literary Society; "Elegy for a Lady" by Walt Delegall, which appeared originally in Dasein, copyright 1962 by Dasein Literary Society. Burning Spear for permission to reprint "Psalm for Sonny Rollins" by Walt Delegall.
+location on resource: page [v]
@@ Property / acknowledgment statement transcription / Property / acknowledgment statement transcription @@
-[5 of ] American Society of African Culture for permission to reprint "Reclaiming the Lost African Heritage" by John Henrik Clarke, which appeared originally in The American Negro Writer and his Roots, copyright by the American Society of African Culture. Student Nonviolent Coordinating Committee for permission to reprint "Toward Black Liberation" by Stokely Carmichael,
+[5 of 11] American Society of African Culture for permission to reprint "Reclaiming the Lost African Heritage" by John Henrik Clarke, which appeared originally in The American Negro Writer and his Roots, copyright by the American Society of African Culture. Student Nonviolent Coordinating Committee for permission to reprint "Toward Black Liberation" by Stokely Carmichael,
+location on resource: page [v]
@@ Property / acknowledgment statement transcription / Property / acknowledgment statement transcription @@
-[6 of ] reprinted from The Massachusetts Review, Autumn, 1966, and "Ain't That a Groove" by Charlie Cobb, which first appeared in Student Voice.
+[6 of 11] reprinted from The Massachusetts Review, Autumn, 1966, and "Ain't That a Groove" by Charlie Cobb, which first appeared in Student Voice.
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+foreword
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+afterword
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+note: essay-length afterword by Larry Neal entitled "And Shine Swam On"
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+acknowledgements
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+Amiri Baraka
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+note: listed here as Ameer Baraka
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+Larry Neal
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+xviii, 670 pages
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+total number of pages: 688Amount 688
Unit 1
 Amount
 Unit
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Latest revision as of 22:29, 5 December 2024

1968 edition published by William Morrow & Company, New York

Language	Label	Description	Also known as
English	Black Fire (1968 William Morrow edition)	1968 edition published by William Morrow & Company, New York

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William Morrow and Company

date

1968

place

New York, NY (place)

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title page transcription

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copyright statement transcription

[1 of 2] Copyright © 1968 by LeRoi Jones and Larry Neal | All rights reserved. No part of this book may be reproduced or utilized in any | form or by any means, electronic or mechanical, including photocopying, re- | cording or by any information storage and retrieval system, without permission |

1968

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[2 of 2] in writing from the Publisher. Inquiries should be addressed to William Mor- | row and Company, Inc., 105 Madison Avenue, New York, N.Y. 10016.

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title page verso

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printing statement transcription

Printed in the United States of America

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title page verso

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acknowledgment statement transcription

[1 of 11] Grateful acknowledgement is made to: Negro Digest for permission to reprint "Life With Red Top" by Ronald L. Fair, copyright © 1965 by Negro Digest; "The Fellah, The Chosen Ones, The Guardian" by David Llorens, copyright © 1966 by Negro Digest; "The Baroness and the Black Musician" by Larry Neal, copyright © 1966 by Negro Digest;

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page [v]

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[2 of 11] "Not Your Singing, Dancing Spade" by Julia Fields, copyright © 1967 by Negro Digest; "That She Would Dance No More" by Jean Wheeler Smith, copyright © 1967 by Negro Digest. Boss for permission to reprint "A Black Stick with a Ball of Cotton for a Head and a Running Machine for a Mouth" by Calvin C. Hernton, copyright © 1967 by Reginald Gay.

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page [v]

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[3 of 11] Transatlantic Review for permission to reprint "Summary" by Sonia Sanchez, copyright 1966 by Joseph McCrindle. Kulchur Press, Inc. for permission to reprint "tomorrow the heroes" by A. B. Spellman, copyright 1966 by Kulchur Press, Inc. Dasein-Jupiter Hammon, Publishers, for permission to reprint "To the 'JFK' Quintet" by Al Fraser, which appeared originally in Dasein,

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page [v]

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[4 of 11] copyright 1963 by Dasein Literary Society; "Man With a Furnace in His Hand" by Lance Jeffers, which appeared originally in Burning Spear, copyright 1963 by Dasein Literary Society; "Elegy for a Lady" by Walt Delegall, which appeared originally in Dasein, copyright 1962 by Dasein Literary Society. Burning Spear for permission to reprint "Psalm for Sonny Rollins" by Walt Delegall.

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page [v]

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[5 of 11] American Society of African Culture for permission to reprint "Reclaiming the Lost African Heritage" by John Henrik Clarke, which appeared originally in The American Negro Writer and his Roots, copyright by the American Society of African Culture. Student Nonviolent Coordinating Committee for permission to reprint "Toward Black Liberation" by Stokely Carmichael,

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page [v]

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[6 of 11] reprinted from The Massachusetts Review, Autumn, 1966, and "Ain't That a Groove" by Charlie Cobb, which first appeared in Student Voice.

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page [v]

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[7 of 11] Journal of Black Poetry for permission to reprint "Sister Brother" and "The Way It Is" by Joe Goncalves; "That Old Time Religion" by Marvin Jackman; "The Singer" and "My Brother" by James Danner. Studies on the Left for permission to reprint "Revolutionary Nationalism and the Afro-American" by Harold W. Cruse, which appeared in Studies on the Left, vol. 2, no. 3 (1962).

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page [vi]

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[8 of 11] The Village Voice for permission to reprint "Travels in the South: A Cold Night in Alabama" by William Mahoney, which appeared originally in the March 10, 1966 issue of the Village Voice. The State of Black Desire for permission to reprint "The Tide Inside, It Rages!" by Lindsay Barrett. Black Dialogue for permission to reprint "Burn, Baby, Burn" and "Flowers for the Trashman"

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page [vi]

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[9 of 11] by Marvin Jackman; "malcolm" by Welton Smith; and "How Do You Do" by Ed Bullins. Black Art for permission to reprint "The World Is Full of Remarkable Things" by LeRoi Jones. Black Angel for permission to reprint "Malcolm X—An Autobiography" by Larry Neal. Soulbook for permission to reprint "when my uncle willie saw" and "The Suicide" by Carol Freeman.

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page [vi]

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[10 of 11] Liberator for permission to reprint "Black Power—A Scientific Concept Whose Time Has Come" by James Boggs, copyright 1967 by Afro-American Research Institute; "Brainwashing of Black Men's Minds" by Nathan Hare, copyright 1966 by Afro-American Research Institute; "Black Art" by LeRoi Jones, copyright 1966 by Afro-American Research Institute; "For Our Women" by Larry Neal,

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page [vi]

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[11 of 11] copyright 1967 by Afro-American Research Institute; "Poem at Thirty" by Sonia Sanchez, copyright 1966 by Afro-American Research Institute; "Eclipse" by Albert E. Haynes, Jr., copyright 1965 by Afro-American Research Institute; "Love Song for Seven Little Boys Called Sam" by C. H. Fuller, Jr., copyright 1966 by Afro-American Research Institute.

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page [vi]

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essay-length afterword by Larry Neal entitled "And Shine Swam On"

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listed here as Ameer Baraka

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xviii, 670 pages

total number of pages

688

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included work

Development of the Black Revolutionary Artist (work)

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Reclaiming the Lost African Heritage (work)

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African Responses to Malcolm X (work)

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Revolutionary Nationalism and the Afro-American (work)

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New Breed (work)

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Dynamite Growing Out of Their Skulls (work)

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Black Power—A Scientific Concept Whose Time Has Come (work)

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Toward Black Liberation (work)

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Screens (work)

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Travels in the South: A Cold Night in Alabama (work)

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Tide Inside, It Rages! (work)

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Not Just Whistling Dixie (work)

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Fellah, the Chosen Ones, the Guardians (work)

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Brainwashing of Black Men's Minds (work)

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Finger Pop'in (work)

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Prayer to the White Man's God (work)

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Amen (work)

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Worker (work)

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Index to a Black Catharsis (work)

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Revolution!! (work)

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Jazzy Vanity (work)

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Music of the Other World (work)

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Jitterbugging in the Streets (work)

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Black Stick with a Ball of Cotton for a Head and a Running Machine for a Mouth (work)

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Saga of Resistance (work)

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"The Visitation" (work)

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Of the Cosmic-Blueprints (work)

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Would I for All That Were (work)

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Nothing Is (work)

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To the Peoples of Earth (work)

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Image Reach (work)

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Cosmic Age (work)

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By Glistening, Dancing Seas (work)

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Black Music Man (work)

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Ivory Masks in Orbit (work)

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Awakening (work)

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Towards a Walk in the Sun (work)

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Neon Diaspora (work)

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Boston Road Blues (work)

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Keep on Pushing (Harlem Riots/Summer/1964) (work)

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Beautiful Day #9 (work)

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Tomorrow the Heroes (work)

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Friends I Am Like You Tied (work)

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Poem at Thirty (work)

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Summary (work)

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Blues (work)

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To All Sisters (work)

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Untitled Poem (work)

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"I Wonder" (work)

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Eulogy for Populations (work)

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First Essay on the Art of the U.S. (work)

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Now the Time Is Ripe to Be (work)

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Brother Sister Don't You (work)

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Way It Is (work)

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That Old Time Religion (work)

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Burn, Baby, Burn (work)

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Singer (work)

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My Brother (work)

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To the "J F K" Quintet (work)

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My Blackness Is the Beauty of This Land (work)

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Black Soul of the Land (work)

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Man with a Furnace in his Hand (work)

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Psalm for Sunny Rollins (work)

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Elegy for a Lady (work)

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malcolm (work)

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Nigga Section (work)

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Interlude (work)

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Special Section for the Niggas on the Lower Eastside or: Invert the Divisor and Multiply (work)

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Interlude (work)

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Beast Section (work)

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World is Full of Remarkable Things (work)

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Three Movements and a Coda (work)

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Election Day (Newark, New Jersey) (work)

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Bludoo Baby, Want Money, and Alligator Got It to Give (work)

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Black Art (work)

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Soul (work)

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Baroness and the Black Musician (work)

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For Our Women (work)

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Narrative of the Black Magicians (work)

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Malcolm X—An Autobiography (work)

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Split Standard (work)

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"Liberalissimo"

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Dirge for J. A. Rogers (work)

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Sunrise! (work)

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Mississippi Concerto (work)

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Song of Fire (work)

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Earth (work)

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Christmas Morning I (work)

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I Saw Them Lynch (work)

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When My Uncle Willie Saw (work)

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We Waiting on You (work)

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For the Truth (Because It Is Necessary) (work)

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Every Harlem Face Is Afromanism Surviving (work)

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My Beige Mom (work)

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Sassafras Memories (work)

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Mosaic Harlem (work)

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Knock on Wood (work)

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Cuttin down to Size (work)

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This Poem for Black Women (work)

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Death of the Moonshine Supermen (work)

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Die Black Pervert (work)

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Alafia (work)

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Soul-Smiles (work)

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Sound of Afroamerican History Chapt I (work)

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Sound of Afroamerican History Chapt II (work)

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Death of Days and Nights of Life (work)

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Visions . . . Leaders . . . (work)

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Two Dreams (for M.L.K.'s One) (work)

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End of Ethnic Dream (work)

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Frightened Lover's Sleep (work)

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Transcendental Blues (work)

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Lynching for Skip James (work)

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Learning to Dance (work)

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Angels Prayer (work)

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Juju of My Own (work)

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Harlem Freeze Frame (work)

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Blue Tanganyika (work)

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Bwagamoyo (work)

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Show Me Lord Show Me (work)

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Love Your Enemy (work)

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Black Warrior (work)

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Sinner (work)

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Sacrifice (work)

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Blackie Thinks of His Brothers (work)

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Blackie Speaks on Campus: a Valentine for Vachel Lindsay (work)

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Nothing Lovely as a Tree (work)

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My Brother and Me (work)

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In a Harlem Store Front Church (work)

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Personal Jihad (work)

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Day a Dancer Learned to Sing of Dreamless Escapades (work)

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Walking East on 125th Street (Spring 1959) (work)

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It Is Time for Action (work)

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(Title) (work)

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Uhuru (work)

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Pome. for Weird. Hearts. & All You Mothers (work)

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West Ridge is Menthol-Cool (work)

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Portrait of Johnny Dollar (work)

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Children of the Cosmos (work)

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If You Love Them, Wouldn't You Like To See Them Better Off? (work)

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Untitled (work)

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Brother Harlem Bedford Watts Tells Mr. Charlie Where Its At (work)

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Poem to a Nigger Cop (work)

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Fon (work)

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Love Song for Seven Little Boys Called; Sam (work)

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Not Your Singing, Dancing Spade (work)

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That She Would Dance No More (work)

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Life with Red Top (work)

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Sinner Man Where You Gonna Run To? (work)

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Ain't That a Groove (work)

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We Own the Night (work)

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Flowers for the Trashman (work)

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Black-Ice (work)

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Notes from a Savage God (work)

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Nocturne on the Rhine (work)

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Madheart (work)

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Prayer Meeting (Or the First Militant Minister) (work)

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0 references

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Black Fire (1968 William Morrow edition) (Q9733): Difference between revisions

Latest revision as of 22:29, 5 December 2024

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