Home Girls: A Black Feminist Anthology (1983, Kitchen Table: Women of Color Press Edition) (Q7138): Difference between revisions
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Christopher (talk | contribs) (Created claim: acknowledgment statement transcription (P65): [2]Black women in 1979; to Debbie | Leoni for sharing her tape of Bernice Johnson Reagon’s presen- | tation on coalition politics with me and for her patience as a | house guest while I struggled to meet a major deadline; to Jean | Bowdish for her precise transcription of the tapes for “Black | Lesbian/Feminist Organizing;” to Alex Chasin for her insightful |) |
(Created claim: Wikidata identifier (P107): Q5888393) |
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[3]copyediting, particularly of my introduction; to Ellen K. Wade | and Beverly T. Williams for their expert legal advice; and to Lor- | raine Bethel, the co-editor of Conditions: Five, The Black | Women’s Issue in which some of the work in Home Girls first | appeared. | In the process of creating a book there are always individuals who work voluntarily to see it | |||||||||||||||
| Property / acknowledgment statement transcription: [3]copyediting, particularly of my introduction; to Ellen K. Wade | and Beverly T. Williams for their expert legal advice; and to Lor- | raine Bethel, the co-editor of Conditions: Five, The Black | Women’s Issue in which some of the work in Home Girls first | appeared. | In the process of creating a book there are always individuals who work voluntarily to see it / rank | |||||||||||||||
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[4]completed and who also provide | the support and love necessary to keep the mental health of the | author intact. I want to thank Audre Lorde for her steadfast | caring and faith in my work; Gloria T. Hull for her prayers and | her Black feminist critical intelligence; Elly Bulkin for double- | | |||||||||||||||
| Property / acknowledgment statement transcription: [4]completed and who also provide | the support and love necessary to keep the mental health of the | author intact. I want to thank Audre Lorde for her steadfast | caring and faith in my work; Gloria T. Hull for her prayers and | her Black feminist critical intelligence; Elly Bulkin for double- | / rank | |||||||||||||||
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| Property / acknowledgment statement transcription | |||||||||||||||
[5]checking every page of galleys with me and for her consistently | excellent editorial advice; and Cherríe Moraga for her sensitive | editorial help, her infinite patience, and for always being there. | |||||||||||||||
| Property / acknowledgment statement transcription: [5]checking every page of galleys with me and for her consistently | excellent editorial advice; and Cherríe Moraga for her sensitive | editorial help, her infinite patience, and for always being there. / rank | |||||||||||||||
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| Property / acknowledgment statement transcription: [5]checking every page of galleys with me and for her consistently | excellent editorial advice; and Cherríe Moraga for her sensitive | editorial help, her infinite patience, and for always being there. / qualifier | |||||||||||||||
location on resource: XIII | |||||||||||||||
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0913175021 | |||||||||||||||
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Home Girls | |||||||||||||||
| Property / title: Home Girls / rank | |||||||||||||||
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| Property / published by: Kitchen Table: Women of Color Press, Inc. / rank | |||||||||||||||
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| Property / published by: Kitchen Table: Women of Color Press, Inc. / qualifier | |||||||||||||||
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date: 1983
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| Property / illustrator | |||||||||||||||
| Property / illustrator: Geoffrey Williams / rank | |||||||||||||||
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| Property / illustrator: Geoffrey Williams / qualifier | |||||||||||||||
note: each work begins with an illustration from Williams book African Designs from Traditional Sources. | |||||||||||||||
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| Property / editor: Barbara Smith / rank | |||||||||||||||
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| Property / designer | |||||||||||||||
| Property / designer: Maria von Brincken / rank | |||||||||||||||
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| Property / writer of introduction: Barbara Smith / rank | |||||||||||||||
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| Property / included work: Poem (work) / rank | |||||||||||||||
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| Property / included work: For a Godchild, Regina, On the Occasion of Her First Love (work) / rank | |||||||||||||||
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| Property / included work: Damned (work) / rank | |||||||||||||||
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| Property / included work: Hester's Song (work) / rank | |||||||||||||||
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| Property / included work: Sisters (work) / rank | |||||||||||||||
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| Property / included work: Debra (work) / rank | |||||||||||||||
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| Property / included work: If I Could Write This in Fire I would Write This in Fire (work) / rank | |||||||||||||||
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| Property / included work: Blood—Yes, the Blood: A Conversation / rank | |||||||||||||||
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| Property / included work: Something Latino Was Up With Us (work) / rank | |||||||||||||||
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| Property / included work: I Used to Think (work) / rank | |||||||||||||||
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| Property / included work: Black Back-Ups (work) / rank | |||||||||||||||
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| Property / included work: Home (work) / rank | |||||||||||||||
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| Property / included work: "Under the Days": The Buried Life and Poetry of Angelina Weld Grimké (work) / rank | |||||||||||||||
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| Property / included work: Black Lesbian in American Literature: An Overview (work) / rank | |||||||||||||||
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| Property / included work: Artists Without Art Form" : A Look at One Black Woman's World of Unrevered Black Women (work) / rank | |||||||||||||||
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| Property / included work: I've Been Thinking of Diana Sands (work) / rank | |||||||||||||||
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| Property / included work: Cultural Legacy Denied: Black Lesbians in Fiction by Women (work) / rank | |||||||||||||||
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| Property / included work: What It Is I Think She's Doing Anyhow: A Reading of Toni Cade Bambara's The Salt Eaters (work) / rank | |||||||||||||||
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| Property / included work: Tar Beach (work) / rank | |||||||||||||||
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| Property / included work: Cat (work) / rank | |||||||||||||||
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| Property / included work: Before I Dress and Soar Again (work) / rank | |||||||||||||||
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| Property / included work: LeRoy's Birthday (work) / rank | |||||||||||||||
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| Property / included work: Wedding (work) / rank | |||||||||||||||
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| Property / included work: Maria de las Rosas (work) / rank | |||||||||||||||
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| Property / included work: Miss Esther's Land (work) / rank | |||||||||||||||
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| Property / included work: Failure to Transform: Homophobia in the Black Community (work) / rank | |||||||||||||||
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| Property / included work: Where Will You Be? (work) / rank | |||||||||||||||
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| Property / included work: Among the Things That Use to Be (work) / rank | |||||||||||||||
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| Property / included work: From Sea to Shining Sea (work) / rank | |||||||||||||||
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| Property / included work: Women of Summer (work) / rank | |||||||||||||||
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| Property / included work: Tired Poem: Last Letter From a Typical Unemployed Black Professional Woman (work) / rank | |||||||||||||||
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| Property / included work: Shoes Are Made for Walking (work) / rank | |||||||||||||||
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| Property / included work: Billy de Lye (work) / rank | |||||||||||||||
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| Property / included work: Combahee River Collective Statement (work) / rank | |||||||||||||||
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| Property / included work: Black Macho and Black Feminism (work) / rank | |||||||||||||||
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| Property / included work: Black Lesbian/Feminist Organizing: A Conversation (work) / rank | |||||||||||||||
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| Property / included work: Reflections on Black Feminist Therapy (work) / rank | |||||||||||||||
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| Property / included work: For Strong Women (work) / rank | |||||||||||||||
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| Property / included work: Black Goddess (work) / rank | |||||||||||||||
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| Property / included work: Women's Spirituality: A Household Act (work) / rank | |||||||||||||||
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| Property / included work: Only Justice Can Stop a Curse (work) / rank | |||||||||||||||
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| Property / included work: Coalition Politics: Turning the Century (work) / rank | |||||||||||||||
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| Property / indexed status: fully indexed / rank | |||||||||||||||
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| Property / content: notes / rank | |||||||||||||||
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note: Contributors' Biographies | |||||||||||||||
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location on resource: pg. 370 | |||||||||||||||
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note: Glossary of other presses and periodicals that have published Home Girls contributors | |||||||||||||||
| Property / content: notes / qualifier | |||||||||||||||
location on resource: pg. 377 | |||||||||||||||
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| Property / Wikidata identifier: Q5888393 / rank | |||||||||||||||
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Latest revision as of 18:42, 29 October 2024
1983, Kitchen Table: Women of Color Press Edition, New York, New York 10185
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Home Girls: A Black Feminist Anthology (1983, Kitchen Table: Women of Color Press Edition) |
1983, Kitchen Table: Women of Color Press Edition, New York, New York 10185 |
Statements
HOME | GIRLS | A Black | Feminist | Anthology | Edited by | Barbara | Smith | Kitchen Table: Women of Color Press | [ornamentation] | New York
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All rights reserved. No part of this book may be reproduced without per- | mission in writing by the publisher. Published in the United States by | Kitchen Table: Women of Color Press, Inc., Post Office Box 2753, Rocke | feller Center Station, New York, N.Y. 10185.
title page verso
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Copyright © 1983 Barbara Smith.
1983
title page verso
Significant copyright statement for contributors. Most if not all contributions are individually copyrighted.
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[1] "But I just get so frustrated because I feel people don't under- | stand where we came from. When I look at the photographs in | our scrapbook I ... think if they looked at the house, would | they understand better... ? Because of where we were living, | the size of the rooms... Sometimes I do wish people could just | see us in the context we grew up in, who our people are." | Beverly Smith*
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[2] For My Family | Hilda Beatrice Smith | LaRue Brown | William Beall | Beverly Smith | Mattie R. Beall | Phoebe Blassengane | Rosa Bell Smith | Adova Marie English | * "Across the Kitchen Table: A Sister-to-Sister Dialogue," This Bridge Called My Back.
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[1]ACKNOWLEDGEMENTS | I would like to acknowledge all the women who helped make | Home Girls a reality. | I thank the thirty-four contributors to Home Girls whose | words are the lifeblood of this book. | I want to express particular appreciation to Janet Kahn who | discussed with me her memories of the organizing around the | Boston murders of twelve
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[2]Black women in 1979; to Debbie | Leoni for sharing her tape of Bernice Johnson Reagon’s presen- | tation on coalition politics with me and for her patience as a | house guest while I struggled to meet a major deadline; to Jean | Bowdish for her precise transcription of the tapes for “Black | Lesbian/Feminist Organizing;” to Alex Chasin for her insightful |
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[3]copyediting, particularly of my introduction; to Ellen K. Wade | and Beverly T. Williams for their expert legal advice; and to Lor- | raine Bethel, the co-editor of Conditions: Five, The Black | Women’s Issue in which some of the work in Home Girls first | appeared. | In the process of creating a book there are always individuals who work voluntarily to see it
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[4]completed and who also provide | the support and love necessary to keep the mental health of the | author intact. I want to thank Audre Lorde for her steadfast | caring and faith in my work; Gloria T. Hull for her prayers and | her Black feminist critical intelligence; Elly Bulkin for double- |
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[5]checking every page of galleys with me and for her consistently | excellent editorial advice; and Cherríe Moraga for her sensitive | editorial help, her infinite patience, and for always being there.
XIII
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0913175021
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Home Girls
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each work begins with an illustration from Williams book African Designs from Traditional Sources.
0 references
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Glossary of other presses and periodicals that have published Home Girls contributors
pg. 377
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