Arkansippi Memwars: Poetry, Prose & Chants, 1962-2012 (2014 Third World Press edition) (Q7434)
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2014 edition, published by Third World Press in Chicago, Illinois
Language | Label | Description | Also known as |
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English | Arkansippi Memwars: Poetry, Prose & Chants, 1962-2012 (2014 Third World Press edition) |
2014 edition, published by Third World Press in Chicago, Illinois |
Statements
ARKANSIPPI | MEMWARS | Poetry, Prose & Chants | 1962-2012 | Eugene B. Redmond | [publisher's device] | Chicago
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(C) 2014 by Eugene B. Redmond
2014
page [iv]
[1] “Works included in this book have appeared previously in Aim, Blues-Ode to the Fore-Dreamers, Eighty Moods of Maya, The Eye in the Ceiling, fishwrap, In A Time of Rain & Desire, Kaiso! Writings by and about Katherine Dunham, Consider Loneliness as These Things, Songs from an Afro/Phone, River of Bones and Flesh and Blood,
[2] “Sentry of the Four Golden Pillars, ‘Griefs of Joy’: Contemporary Afro-American Poetry for Students, Sides of the River: A Mini-Anthology of Black Writings, Black American Literature Forum, 1988 (Special Double Issue on Henry Dumas), American Negro Literature Forum, 1972 (Special Black Poetry Issue),
[3] “Drumvoices: A Confluence of Literary, Cultural & Vision Arts (annual since 1992), Break Word with the Word (annual), East St. Louis Monitor, St. Louis American, Poetry from the Masters, St. Louis Muse, St. Louis Sentinel, Alestle, Tambourine, Free Lance, Negro Digest, Sacramento Bee, Sacramento Observer,
[4] “Sacramento Union, Drumvoices Revue, Sou’wester, Oberlin Review, East St. Louis Journal, Essence Magazine, St. Louis Post-Dispatch.”
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For the Arkansippians, All Kin & Kindred Lovers & Warriors, All Inhabitants of the Word, Familistically
page [v]
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[1] In gratitude: Loretta Dumas for typing the corpus of this book and providing decades-length inspiration and support; Alfred Henderson II, former student/now editorial assistant for various projects—too numerous to mention—associated with “Memwars”; my niece Roslyn Redmond for typing portions of the MS for this book;
page [vi]
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[2] Bettie Clay for “closure” assistance in preparing “Memwars” for submission to publisher; and Maya Angelou, sister-friend of forty-years running, for opening her Winston-Salem (NC) home to me for twelve summers running— a “wood shed” of gren solace where I crafted many of these poems and partook of her “welcome table.”
page [vi]
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