The Present is a Dangerous Place to Live (1974 Third World Press edition) (Q13023): Difference between revisions
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(Created claim: dedication statement transcription (P21): [1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins) |
(Created claim: included work (P117): For Ipeleng (work) (Q13042)) |
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| Property / printing statement transcription: Manufactured in the United States of America / qualifier | |||||||||||||||
note: First Printing | |||||||||||||||
| Property / dedication statement transcription: [1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins / qualifier | |||||||||||||||
location on resource: page [v] | |||||||||||||||
| Property / dedication statement transcription: [1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins / qualifier | |||||||||||||||
| Property / dedication statement transcription: [1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins / qualifier | |||||||||||||||
| Property / dedication statement transcription: [1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins / qualifier | |||||||||||||||
| Property / dedication statement transcription: [1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins / qualifier | |||||||||||||||
| Property / dedication statement transcription: [1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins / qualifier | |||||||||||||||
| Property / dedication statement transcription | |||||||||||||||
[2] And Jean Toomer. They still reed and rite | Right here where they knew that "The Dixie Pike | Has grown from a goat path in Africa." | |||||||||||||||
| Property / dedication statement transcription: [2] And Jean Toomer. They still reed and rite | Right here where they knew that "The Dixie Pike | Has grown from a goat path in Africa." / rank | |||||||||||||||
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| Property / dedication statement transcription: [2] And Jean Toomer. They still reed and rite | Right here where they knew that "The Dixie Pike | Has grown from a goat path in Africa." / qualifier | |||||||||||||||
location on resource: page [v] | |||||||||||||||
| Property / edition statement transcription | |||||||||||||||
First Edition | |||||||||||||||
| Property / edition statement transcription: First Edition / rank | |||||||||||||||
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| Property / edition statement transcription: First Edition / qualifier | |||||||||||||||
location on resource: title page verso | |||||||||||||||
| Property / ISBN | |||||||||||||||
O883780577 | |||||||||||||||
| Property / ISBN: O883780577 / rank | |||||||||||||||
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| Property / published by: Third World Press / rank | |||||||||||||||
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| Property / published by: Third World Press / qualifier | |||||||||||||||
| Property / published by: Third World Press / qualifier | |||||||||||||||
date: 1974
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| Property / illustrator | |||||||||||||||
| Property / illustrator: Skunder Boghossian / rank | |||||||||||||||
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| Property / illustrator: Skunder Boghossian / qualifier | |||||||||||||||
note: did the cover painting | |||||||||||||||
| Property / designer | |||||||||||||||
| Property / designer: K. Kofi Moyo / rank | |||||||||||||||
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| Property / designer: K. Kofi Moyo / qualifier | |||||||||||||||
note: did the cover design | |||||||||||||||
| Property / writer of foreword | |||||||||||||||
| Property / writer of foreword: George Kent / rank | |||||||||||||||
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| Property / included work: In the Mourning (work) / rank | |||||||||||||||
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| Property / included work: Beware of Dreams (work) / rank | |||||||||||||||
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| Property / included work: Without Shadow (work) / rank | |||||||||||||||
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| Property / included work: Mirrors, Without Song (work) / rank | |||||||||||||||
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| Property / included work: Mystique (work) / rank | |||||||||||||||
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| Property / included work: When Things Fall Apart (work) / rank | |||||||||||||||
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| Property / included work: Exile (work) / rank | |||||||||||||||
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| Property / included work: Perception (work) / rank | |||||||||||||||
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| Property / included work: Logistics (work) / rank | |||||||||||||||
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| Property / included work: Notes from No Santuary (work) / rank | |||||||||||||||
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| Property / included work: Blues for Some Literary Friends & Myself (work) / rank | |||||||||||||||
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| Property / included work: For Billie Holiday (work) / rank | |||||||||||||||
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| Property / included work: For Art Blakey and the Jazz Messengers (work) / rank | |||||||||||||||
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| Property / included work: For B.B. King and Lucille (work) / rank | |||||||||||||||
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| Property / included work: Acknowledgement (work) / rank | |||||||||||||||
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| Property / included work: Pro/Creation (work) / rank | |||||||||||||||
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| Property / included work: For Hughie Masekela (work) / rank | |||||||||||||||
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| Property / included work: For Ipeleng (work) / rank | |||||||||||||||
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| Property / indexed status: partially indexed / rank | |||||||||||||||
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| Property / photographer: C. Daniel Dawson / rank | |||||||||||||||
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Latest revision as of 23:10, 9 June 2025
1974 edition, published by Third World Press
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | The Present is a Dangerous Place to Live (1974 Third World Press edition) |
1974 edition, published by Third World Press |
Statements
THE PRESENT IS A DANGEROUS | PLACE TO LIVE | by | KEORAPETSE KGOSITSILE | Third World Press Chicago
0 references
Manufactured in the United States of America
title page verso
First Printing
0 references
Copyright © 1974 by Keorapetse Kgositsile | All Rights Reserved
title page verso
0 references
[1] For all those brothers and sisters | Who struggled to look at the present | Straight in its dangerous face | And faced it in attempts to change it | And to the memory of: | Conrad Kent Rivers, Eric Dolphy, Henry Dumas | Whose still voices are out there | Hammered into an area of depthoffeeling | In the whirlwind with Coleman Hawkins
0 references
[2] And Jean Toomer. They still reed and rite | Right here where they knew that "The Dixie Pike | Has grown from a goat path in Africa."
page [v]
0 references
O883780577
0 references