Desert Run: Poems and Stories (1988 Kitchen Table: Women of Color Press edition) (Q6261): Difference between revisions
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(Created claim: acknowledgment statement transcription (P65): [4 of?] I would like to thank those Asian American writers who walked | the lonely path before me and others who continue to write against all | odds: Sui Sin Far, Toshio Mori, Hisaye Yamamoto, Monica Sone, | Maxine Hong Kingston, Janice Mirikitani and many others. | I would like to thank my mother, Hide Yasutake, and my mother- |) |
(Changed claim: published by (P29): Kitchen Table: Women of Color Press, Inc. (Q5535)) |
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First Edition. | |||||||||||||||
| Property / dedication statement transcription: For my brothers | Mike, Tosh, and Joe / qualifier | |||||||||||||||
| Property / dedication statement transcription: For my brothers | Mike, Tosh, and Joe / qualifier | |||||||||||||||
| Property / dedication statement transcription: For my brothers | Mike, Tosh, and Joe / qualifier | |||||||||||||||
| Property / acknowledgment statement transcription | Property / acknowledgment statement transcription | ||||||||||||||
[1 of 5] ACKNOWLEDGEMENTS | I would like to thank Sarie Munemitsu Hylkema of the Multi- | cultural Women Writers for being a patient sounding board during the | evolution of some of these pieces and Dr. Katharine Newman, founder | of MELUS, Multi-ethnic Literature of the United States, for her | | |||||||||||||||
| Property / acknowledgment statement transcription | Property / acknowledgment statement transcription | ||||||||||||||
[2 of 5] meticulous reading of my manuscript and her forthright and invaluable | comments. | I would like to thank Nellie Wong, Merle Woo and the late Karen | Brodine for their strength of spirit in their political activism providing a | creative impulse for some of these poems; Flo McAlary for opening up | the desert world to me; and Peggy Boegeman for her continuous | | |||||||||||||||
| Property / acknowledgment statement transcription | Property / acknowledgment statement transcription | ||||||||||||||
[3 of 5] encouragement as well as prodigious work with the Humanities Council | making ethnic writings, including my poems, more accessible to | students throughout the country. I would like to thank Allie Light and | Irving Saraf for filming a version of "I Learned to Sew" in "Mitsuye and | Nellie" before I recognized its potential. | |||||||||||||||
| Property / acknowledgment statement transcription | Property / acknowledgment statement transcription | ||||||||||||||
[4 of 5] I would like to thank those Asian American writers who walked | the lonely path before me and others who continue to write against all | odds: Sui Sin Far, Toshio Mori, Hisaye Yamamoto, Monica Sone, | Maxine Hong Kingston, Janice Mirikitani and many others. | I would like to thank my mother, Hide Yasutake, and my mother- | | |||||||||||||||
| Property / acknowledgment statement transcription | |||||||||||||||
[5 of 5] in-law, Nabe Iha, for their inspired lives; and finally, my husband, | Yoshikazu, and our children and grandchildren (Jeni and Phil, Stephen | and Sharon, Kai and Hedi, Aaron and Jason) for making our dreams | for the future possible. | |||||||||||||||
| Property / acknowledgment statement transcription: [5 of 5] in-law, Nabe Iha, for their inspired lives; and finally, my husband, | Yoshikazu, and our children and grandchildren (Jeni and Phil, Stephen | and Sharon, Kai and Hedi, Aaron and Jason) for making our dreams | for the future possible. / rank | |||||||||||||||
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| Property / published by: Kitchen Table: Women of Color Press, Inc. / rank | |||||||||||||||
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| Property / published by: Kitchen Table: Women of Color Press, Inc. / qualifier | |||||||||||||||
| Property / published by: Kitchen Table: Women of Color Press, Inc. / qualifier | |||||||||||||||
date: 1988
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| Property / contributor: Yoshikazu Yamada / rank | |||||||||||||||
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| Property / contributor: Yoshikazu Yamada / qualifier | |||||||||||||||
note: Calligraphy | |||||||||||||||
| Property / designer | |||||||||||||||
| Property / designer: Ann Cammett / rank | |||||||||||||||
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| Property / designer: Ann Cammett / qualifier | |||||||||||||||
note: Cover and text design | |||||||||||||||
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| Property / designer: Hedi Yamada / rank | |||||||||||||||
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| Property / designer: Hedi Yamada / qualifier | |||||||||||||||
note: Design Consultant | |||||||||||||||
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[15] 2-97 [9] | |||||||||||||||
| Property / extent statement: [15] 2-97 [9] / rank | |||||||||||||||
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| Property / extent statement: [15] 2-97 [9] / qualifier | |||||||||||||||
total number of pages: 120
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| Property / included work: Desert Run (work) / rank | |||||||||||||||
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| Property / included work: Hole in the Wall (work) / rank | |||||||||||||||
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| Property / included work: Lichens (work) / rank | |||||||||||||||
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| Property / included work: Desert Under Glass (work) / rank | |||||||||||||||
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| Property / included work: Cacti (work) / rank | |||||||||||||||
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| Property / included work: Desert Mystique (work) / rank | |||||||||||||||
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| Property / included work: American Son (work) / rank | |||||||||||||||
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| Property / included work: Guilty on Both Counts (work) / rank | |||||||||||||||
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| Property / included work: Obon: Festival of the Dead (work) / rank | |||||||||||||||
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| Property / included work: Returning (work) / rank | |||||||||||||||
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| Property / included work: I learned to Sew (work) / rank | |||||||||||||||
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| Property / included work: Jeni's Complaint (work) / rank | |||||||||||||||
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| Property / included work: Playing Cards with the Jailer / rank | |||||||||||||||
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| Property / included work: Drowning in My Own Language (work) / rank | |||||||||||||||
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| Property / included work: Mrs. Higashi Is Dead (work) / rank | |||||||||||||||
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| Property / included work: My Cousin (work) / rank | |||||||||||||||
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| Property / included work: Suburbia in Full Bloom (work) / rank | |||||||||||||||
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| Property / included work: The Club (work) / rank | |||||||||||||||
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| Property / included work: Enough (work) / rank | |||||||||||||||
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| Property / included work: For Laura Who Still Hears the Geese (work) / rank | |||||||||||||||
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| Property / included work: Lethe (work) / rank | |||||||||||||||
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| Property / included work: My Home Town This Earth (work) / rank | |||||||||||||||
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| Property / included work: Escape (work) / rank | |||||||||||||||
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| Property / included work: For Priscilla (work) / rank | |||||||||||||||
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| Property / included work: Masks of Woman (work) / rank | |||||||||||||||
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| Property / included work: You Too Can Live Comfortably Without Guilt (work) / rank | |||||||||||||||
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| Property / included work: Harold and the Purple Crayon (work) / rank | |||||||||||||||
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| Property / included work: Mother's Touch (work) / rank | |||||||||||||||
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| Property / included work: Prayer for Change (work) / rank | |||||||||||||||
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Latest revision as of 15:24, 25 July 2024
1988 edition, published by Kitchen Table: Women of Color Press, Latham, NY
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Desert Run: Poems and Stories (1988 Kitchen Table: Women of Color Press edition) |
1988 edition, published by Kitchen Table: Women of Color Press, Latham, NY |
Statements
DESERT RUN | [ornament] | POEMS AND STORIES | [ornament] | MITSUYE YAMADA | [line] | KITCHEN TABLE: Women of Color Press | [ornament]
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Published in the United States by Kitchen Table: Women of Color | Press, Inc., Post Office Box 908, Latham, NY 12110.
title page verso
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This printing of Desert Run is supported by a grant from the Literature | Program of The National Endowment for the Arts.
title page verso
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Copyright © 1988 by Mitsuye Yamada
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For my brothers | Mike, Tosh, and Joe
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0913175137
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[1 of 5] ACKNOWLEDGEMENTS | I would like to thank Sarie Munemitsu Hylkema of the Multi- | cultural Women Writers for being a patient sounding board during the | evolution of some of these pieces and Dr. Katharine Newman, founder | of MELUS, Multi-ethnic Literature of the United States, for her |
0 references
[2 of 5] meticulous reading of my manuscript and her forthright and invaluable | comments. | I would like to thank Nellie Wong, Merle Woo and the late Karen | Brodine for their strength of spirit in their political activism providing a | creative impulse for some of these poems; Flo McAlary for opening up | the desert world to me; and Peggy Boegeman for her continuous |
0 references
[3 of 5] encouragement as well as prodigious work with the Humanities Council | making ethnic writings, including my poems, more accessible to | students throughout the country. I would like to thank Allie Light and | Irving Saraf for filming a version of "I Learned to Sew" in "Mitsuye and | Nellie" before I recognized its potential.
0 references
[4 of 5] I would like to thank those Asian American writers who walked | the lonely path before me and others who continue to write against all | odds: Sui Sin Far, Toshio Mori, Hisaye Yamamoto, Monica Sone, | Maxine Hong Kingston, Janice Mirikitani and many others. | I would like to thank my mother, Hide Yasutake, and my mother- |
0 references
[5 of 5] in-law, Nabe Iha, for their inspired lives; and finally, my husband, | Yoshikazu, and our children and grandchildren (Jeni and Phil, Stephen | and Sharon, Kai and Hedi, Aaron and Jason) for making our dreams | for the future possible.
0 references