Natural Process: An Anthology of New Black Poetry (1970 Hill and Wang edition) (Q14425): Difference between revisions
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(Created claim: edition statement transcription (P24): First edition January 1971) |
(Changed claim: acknowledgment statement transcription (P65): [1 of 8] THE EDITORS OF THIS ANTHOLOGY are grateful to the poets themselves for permission to publish their poems. In some cases poems in this volume originally appeared in books or magazines. Acknowledgement is made to the following:) |
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| Property / edition statement transcription: First edition January 1971 / qualifier | |||
location on resource: title page verso | |||
| Property / copyright statement transcription | |||
Copyright ©️ 1970 by Hill and Wang, Inc. | All rights reserved | |||
| Property / copyright statement transcription: Copyright ©️ 1970 by Hill and Wang, Inc. | All rights reserved / rank | |||
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| Property / copyright statement transcription: Copyright ©️ 1970 by Hill and Wang, Inc. | All rights reserved / qualifier | |||
location on resource: title page verso | |||
| Property / printing statement transcription | |||
Manufactured in the United States of America | |||
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| Property / printing statement transcription: Manufactured in the United States of America / qualifier | |||
location on resource: title page verso | |||
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| Property / content: acknowledgements / rank | |||
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| Property / content: introduction / rank | |||
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| Property / content: preface / rank | |||
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note: prefatory poem called "Natural Process" | |||
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| Property / content: creator bio / rank | |||
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| Property / writer of introduction | |||
| Property / writer of introduction: Ted Wilentz / rank | |||
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| Property / writer of preface: Tom Weatherly / rank | |||
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| Property / title page transcription | |||
Natural Process | An Anthology of New Black Poetry | Edited by Ted Wilentz and Tom Weatherly | [publisher's device] Hill and Wang ∙ New York | |||
| Property / title page transcription: Natural Process | An Anthology of New Black Poetry | Edited by Ted Wilentz and Tom Weatherly | [publisher's device] Hill and Wang ∙ New York / rank | |||
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| Property / ISBN | |||
0809072335 | |||
| Property / ISBN: 0809072335 / rank | |||
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| Property / ISBN: 0809072335 / qualifier | |||
note: clothbound | |||
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0809000997 | |||
| Property / ISBN: 0809000997 / rank | |||
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| Property / ISBN: 0809000997 / qualifier | |||
note: paperback | |||
| Property / acknowledgment statement transcription | |||
[1 of 8] THE EDITORS OF THIS ANTHOLOGY are grateful to the poets themselves for permission to publish their poems. In some cases poems in this volume originally appeared in books or magazines. Acknowledgement is made to the following: | |||
| Property / acknowledgment statement transcription: [1 of 8] THE EDITORS OF THIS ANTHOLOGY are grateful to the poets themselves for permission to publish their poems. In some cases poems in this volume originally appeared in books or magazines. Acknowledgement is made to the following: / rank | |||
Normal rank | |||
| Property / acknowledgment statement transcription: [1 of 8] THE EDITORS OF THIS ANTHOLOGY are grateful to the poets themselves for permission to publish their poems. In some cases poems in this volume originally appeared in books or magazines. Acknowledgement is made to the following: / qualifier | |||
location on resource: title page verso | |||
| Property / acknowledgment statement transcription | |||
[2 of 8] The Antioch Review, for William J. Harris' "For Bill Hawkins, A Black Militant." Black Dialogue, for Al Young's "Friday the Twelfth." Broadside Press, for Nikki Giovanni's "Knoxville, Tennessee," "Nikki-Rosa," and "For Saundra," from Black Judgment, copyright ©️ 1968 by Nikki Giovanni. | |||
| Property / acknowledgment statement transcription: [2 of 8] The Antioch Review, for William J. Harris' "For Bill Hawkins, A Black Militant." Black Dialogue, for Al Young's "Friday the Twelfth." Broadside Press, for Nikki Giovanni's "Knoxville, Tennessee," "Nikki-Rosa," and "For Saundra," from Black Judgment, copyright ©️ 1968 by Nikki Giovanni. / rank | |||
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| Property / acknowledgment statement transcription: [2 of 8] The Antioch Review, for William J. Harris' "For Bill Hawkins, A Black Militant." Black Dialogue, for Al Young's "Friday the Twelfth." Broadside Press, for Nikki Giovanni's "Knoxville, Tennessee," "Nikki-Rosa," and "For Saundra," from Black Judgment, copyright ©️ 1968 by Nikki Giovanni. / qualifier | |||
location on resource: title page verso | |||
| Property / acknowledgment statement transcription | |||
[3 of 8] Also for Nikki Giovanni's "Adulthood," "Seduction," "Wilmington Delaware," and "My Poem," from Black Feeling, Black Talk, copyright ©️ 1968 by Nikki Giovanni. Carolina Quarterly, for Michael S. Harper's "Ode to Tenochtitlan." Chicago Review, for Al Young's "Everywhere." | |||
| Property / acknowledgment statement transcription: [3 of 8] Also for Nikki Giovanni's "Adulthood," "Seduction," "Wilmington Delaware," and "My Poem," from Black Feeling, Black Talk, copyright ©️ 1968 by Nikki Giovanni. Carolina Quarterly, for Michael S. Harper's "Ode to Tenochtitlan." Chicago Review, for Al Young's "Everywhere." / rank | |||
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| Property / acknowledgment statement transcription: [3 of 8] Also for Nikki Giovanni's "Adulthood," "Seduction," "Wilmington Delaware," and "My Poem," from Black Feeling, Black Talk, copyright ©️ 1968 by Nikki Giovanni. Carolina Quarterly, for Michael S. Harper's "Ode to Tenochtitlan." Chicago Review, for Al Young's "Everywhere." / qualifier | |||
location on resource: title page verso | |||
| Property / acknowledgment statement transcription | |||
[4 of 8] Corinth Books, for Tom Weatherly's "pool doos paid," "mud water shango," "red & yellow fooles coat," "blues for franks wooten," and "tomcat," from Maumau American Cantos, copyright ©️ 1970 by Tom Weatherly. | |||
| Property / acknowledgment statement transcription: [4 of 8] Corinth Books, for Tom Weatherly's "pool doos paid," "mud water shango," "red & yellow fooles coat," "blues for franks wooten," and "tomcat," from Maumau American Cantos, copyright ©️ 1970 by Tom Weatherly. / rank | |||
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| Property / acknowledgment statement transcription: [4 of 8] Corinth Books, for Tom Weatherly's "pool doos paid," "mud water shango," "red & yellow fooles coat," "blues for franks wooten," and "tomcat," from Maumau American Cantos, copyright ©️ 1970 by Tom Weatherly. / qualifier | |||
location on resource: title page verso | |||
| Property / acknowledgment statement transcription | |||
[5 of 8] The Lit, for Al Young's "The Curative Powers of Silence." Mad River Review, for William J. Harris' "With My Napalm Six Shooters" and "Samantha Is My Negro Cat," from Nine Black Poets, copyright ©️ 1969 by Moore Publishing Company. Negro Digest, for Michael S. Harper's "Effendi." | |||
| Property / acknowledgment statement transcription: [5 of 8] The Lit, for Al Young's "The Curative Powers of Silence." Mad River Review, for William J. Harris' "With My Napalm Six Shooters" and "Samantha Is My Negro Cat," from Nine Black Poets, copyright ©️ 1969 by Moore Publishing Company. Negro Digest, for Michael S. Harper's "Effendi." / rank | |||
Normal rank | |||
| Property / acknowledgment statement transcription: [5 of 8] The Lit, for Al Young's "The Curative Powers of Silence." Mad River Review, for William J. Harris' "With My Napalm Six Shooters" and "Samantha Is My Negro Cat," from Nine Black Poets, copyright ©️ 1969 by Moore Publishing Company. Negro Digest, for Michael S. Harper's "Effendi." / qualifier | |||
location on resource: title page verso | |||
| Property / acknowledgment statement transcription | |||
[6 of 8] New American Review, for Jay Wright's "The Homecoming Singer" and "Wednesday Night Prayer Meeting." Poetry (Chicago), for Michael S. Harper's "The Black Angel" and "New Season." Poetry Northwest, for Michael S. Harper's "Proposition 15" and "Aftermath"; and Jay Wright's "The Invention of a Garden" and "Moving To Wake at Six." | |||
| Property / acknowledgment statement transcription: [6 of 8] New American Review, for Jay Wright's "The Homecoming Singer" and "Wednesday Night Prayer Meeting." Poetry (Chicago), for Michael S. Harper's "The Black Angel" and "New Season." Poetry Northwest, for Michael S. Harper's "Proposition 15" and "Aftermath"; and Jay Wright's "The Invention of a Garden" and "Moving To Wake at Six." / rank | |||
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| Property / acknowledgment statement transcription: [6 of 8] New American Review, for Jay Wright's "The Homecoming Singer" and "Wednesday Night Prayer Meeting." Poetry (Chicago), for Michael S. Harper's "The Black Angel" and "New Season." Poetry Northwest, for Michael S. Harper's "Proposition 15" and "Aftermath"; and Jay Wright's "The Invention of a Garden" and "Moving To Wake at Six." / qualifier | |||
location on resource: title page verso | |||
| Property / acknowledgment statement transcription | |||
[7 of 8] Quarterly Review of Literature, for Michael S. Harper's "We Assume." Third World Press, for Carolyn M. Rodgers' "Plagiarism for a Trite Love Poem," "U Name This One," "Jesus Was Crucified or It Must Be Deep," and "It Is Deep," from Songs of a Blackbird, copyright ©️ 1969 by Carolyn M. Rodgers. | |||
| Property / acknowledgment statement transcription: [7 of 8] Quarterly Review of Literature, for Michael S. Harper's "We Assume." Third World Press, for Carolyn M. Rodgers' "Plagiarism for a Trite Love Poem," "U Name This One," "Jesus Was Crucified or It Must Be Deep," and "It Is Deep," from Songs of a Blackbird, copyright ©️ 1969 by Carolyn M. Rodgers. / rank | |||
Normal rank | |||
| Property / acknowledgment statement transcription: [7 of 8] Quarterly Review of Literature, for Michael S. Harper's "We Assume." Third World Press, for Carolyn M. Rodgers' "Plagiarism for a Trite Love Poem," "U Name This One," "Jesus Was Crucified or It Must Be Deep," and "It Is Deep," from Songs of a Blackbird, copyright ©️ 1969 by Carolyn M. Rodgers. / qualifier | |||
location on resource: title page verso | |||
| Property / acknowledgment statement transcription | |||
[8 of 8] 23 California Poets (Ante-Echo Press), for Al Young's "Lonesome in the Country." | |||
| Property / acknowledgment statement transcription: [8 of 8] 23 California Poets (Ante-Echo Press), for Al Young's "Lonesome in the Country." / rank | |||
Normal rank | |||
| Property / acknowledgment statement transcription: [8 of 8] 23 California Poets (Ante-Echo Press), for Al Young's "Lonesome in the Country." / qualifier | |||
location on resource: title page verso | |||
Latest revision as of 22:11, 6 September 2025
1970 edition published by Hill and Wang, New York
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Natural Process: An Anthology of New Black Poetry (1970 Hill and Wang edition) |
1970 edition published by Hill and Wang, New York |
Statements
Copyright ©️ 1970 by Hill and Wang, Inc. | All rights reserved
title page verso
0 references
Natural Process | An Anthology of New Black Poetry | Edited by Ted Wilentz and Tom Weatherly | [publisher's device] Hill and Wang ∙ New York
0 references
[1 of 8] THE EDITORS OF THIS ANTHOLOGY are grateful to the poets themselves for permission to publish their poems. In some cases poems in this volume originally appeared in books or magazines. Acknowledgement is made to the following:
title page verso
0 references
[2 of 8] The Antioch Review, for William J. Harris' "For Bill Hawkins, A Black Militant." Black Dialogue, for Al Young's "Friday the Twelfth." Broadside Press, for Nikki Giovanni's "Knoxville, Tennessee," "Nikki-Rosa," and "For Saundra," from Black Judgment, copyright ©️ 1968 by Nikki Giovanni.
title page verso
0 references
[3 of 8] Also for Nikki Giovanni's "Adulthood," "Seduction," "Wilmington Delaware," and "My Poem," from Black Feeling, Black Talk, copyright ©️ 1968 by Nikki Giovanni. Carolina Quarterly, for Michael S. Harper's "Ode to Tenochtitlan." Chicago Review, for Al Young's "Everywhere."
title page verso
0 references
[4 of 8] Corinth Books, for Tom Weatherly's "pool doos paid," "mud water shango," "red & yellow fooles coat," "blues for franks wooten," and "tomcat," from Maumau American Cantos, copyright ©️ 1970 by Tom Weatherly.
title page verso
0 references
[5 of 8] The Lit, for Al Young's "The Curative Powers of Silence." Mad River Review, for William J. Harris' "With My Napalm Six Shooters" and "Samantha Is My Negro Cat," from Nine Black Poets, copyright ©️ 1969 by Moore Publishing Company. Negro Digest, for Michael S. Harper's "Effendi."
title page verso
0 references
[6 of 8] New American Review, for Jay Wright's "The Homecoming Singer" and "Wednesday Night Prayer Meeting." Poetry (Chicago), for Michael S. Harper's "The Black Angel" and "New Season." Poetry Northwest, for Michael S. Harper's "Proposition 15" and "Aftermath"; and Jay Wright's "The Invention of a Garden" and "Moving To Wake at Six."
title page verso
0 references
[7 of 8] Quarterly Review of Literature, for Michael S. Harper's "We Assume." Third World Press, for Carolyn M. Rodgers' "Plagiarism for a Trite Love Poem," "U Name This One," "Jesus Was Crucified or It Must Be Deep," and "It Is Deep," from Songs of a Blackbird, copyright ©️ 1969 by Carolyn M. Rodgers.
title page verso
0 references
[8 of 8] 23 California Poets (Ante-Echo Press), for Al Young's "Lonesome in the Country."
title page verso
0 references